Stage

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Culture
December 04, 2024
William Kentridge’s ship of fools
‘The Great Yes, The Great No’, the South African artist’s most original piece of musical theatre, opens in America this month. We watched its creation
Fiammetta Rocco
From the magazine
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Culture
July 10, 2024
Life after cancellation
Matthew d’Ancona
From the magazine
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Stage
June 05, 2024
Wherefore art thou?
Kate Maltby
From the magazine
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Stage
March 27, 2024
Why theatre is falling for the solo show
Kate Maltby
From the magazine
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Stage
February 28, 2024
Deformed, unfinished?
Kate Maltby
Stage
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Deformed, unfinished?
Kate Maltby
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Stage
January 24, 2024
Hamlets within Hamlets within Hamlets
Kate Maltby
From the magazine
Stage
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Hamlets within Hamlets within Hamlets
Kate Maltby
From the magazine
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Stage
December 06, 2023
Under the spell of the franchise
Kate Maltby
From the magazine
Stage
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Under the spell of the franchise
Kate Maltby
From the magazine
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Stage
April 24, 2023
Something filmic this way comes: Is the Netflixification of West End theatre a bad thing?
Katie Chambers
Stage
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Something filmic this way comes: Is the Netflixification of West End theatre a bad thing?
Katie Chambers
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Stage
April 05, 2023
Medea and motive
Kate Maltby
From the magazine
Stage
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Medea and motive
Kate Maltby
From the magazine
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